Aretha Franklin
Young, Gifted and Black
Label ©  Atlantic
Release Year  1972
Length  44:42
Genre  Soul
Personal Star Rating [1-5]  
  Ref#  A-0143
Bitrate  192 Kbps
    Track Listing:
      Oh Me Oh My (I'm A Fool For You Baby)  
      Day Dreaming  
      Rock Steady  
      Young, Gifted And Black  
      All The King's Horses  
      A Brand New Me  
      April Fools  
      I've Been Loving You Too Long  
      First Snow In Kokomo  
      The Long And Winding Road  
      Didn't I (Blow Your Mind This Time)  
      Border Song (Holy Moses)  
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      Like its predecessor, Spirit in the Dark, 1972's Young, Gifted and Black found Aretha moving with soul music's elite into a progressive phase that opened up the emotional content of her work even further. "All the King's Horses" mourns the death of her first marriage, while "Day Dreaming" and "A Brand New Me" point toward what we'd now call "healing." Two stabs at social comment, Nina Simone's title cut and, intriguingly, Elton John's "Border Song," round out this impressive portrait. --Rickey Wright

      Review by Jason Birchmeier

      It's nearly impossible to single out any of Aretha Franklin's early-'70s albums for Atlantic as being her best, particularly given the breadth of her output during this era. In terms of albums rather than singles, it's probably her strongest era, and if you count live albums like Amazing Grace, choosing a standout or a favorite record isn't any easier. Yet of this stunning era, Young, Gifted and Black certainly ranks highly among her studio efforts, with many arguing that it may be her greatest. And with songs like "Rock Steady," that may be a valid argument. But there's much more here than just a few highlights. If you really want to go song by song, you'd be hard-pressed to find any throwaways here -- this is quite honestly an album that merits play from beginning to end. You have upbeat songs like the aforementioned "Rock Steady" that will get you up out of your seat moving and grooving, yet then you also have a number of more introspective songs that slow down the tempo and are more likely to relax than rouse. And if that wide spectrum of moods isn't enough reason to celebrate this album, you get some unlikely songs like a take on "The Long and Winding Road." Plus, you also have to keep in mind that Franklin was in her prime here, not only in terms of voice but also in terms of confidence -- you can just feel her exuding her status as the best of the best. Furthermore, her ensemble of musicians competes with any that she had worked with on previous albums. So even if this isn't the greatest Aretha Franklin album of the early '70s, it's certainly a contender, the sort of album that you can't go wrong with.
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